Sunday, February 24, 2019

Why is it difficult for Mexican Americans to live in America?

The movie Selena tells how difficult it is for Mexican Americans to live in a country the likes of America. There are great expectations from batch who live there in particular for artists and other people who wish to inhibit the entertainment industry. Mexican Americans in the United States are often ridiculed in their manner of speaking and performances.Many American racists will non hire crowd of Mexicans as performers. If there is a chance to get them for programs and performances, the audience has bivalent expectations from these groups.Moreover, they are also subject to discrimination by the Mexican American community when they perform side of meat-American instead Spanish songs. When a flashback of Abaraham, Selenas father, as a member of a family band playing Blue Moon, was presented in the film, the way they were rejected by the Mexican American audience shows that the Mexican American community was not ready to accept Mexicans who play incline songs. When Abraham di scovered Selenas golden voice, he knew that Selena was meant to be on the limelight.With his support, Selena was confident(p) that she can become successful in a field where two other Mexican American woman had failed (Bernardinelli, 1997). When Selena grew older, she wanted to occupy a musical identity that she can call her own, which was mostly influenced by American pop music. As a Tejano singer, she was singing Spanish songs while she idolizes American pop singers. Because of this, there were times when Selena and Abraham clashed about the direction of the bands music.However, he never failed to respect her and prod her to choose her own path. Thus, Selena is a film that deals with a clash of two different cultures (Bernardinelli, 1997). An example of this in the movie includes the part where Selena was to be interviewed by a TV reporter. Abraham told Selena that her English and Spanish should be perfect. She has to look like she can understand and trace with icons of both( prenominal) cultures. This was a lesson that Selena took to heart.However, in the interview, she made a mistake. After the interview, Abraham convey his frustration by saying that to be fully accepted in America, Selena must become more Mexican than most Mexicans and more American than most Americans (Quintanilla & Nava, 1997). She is an American, but she is also a Mexican, and she has to learn to draw from both cultures to form her own style (Berardinelli, 1997). When Selena died, nobody quite knew where to place her culturally (Rodriguez, 1997).But her tremendous popularity on both sides of the border is a symbol of how hyphenated Mexican-Americans deport gone from the margins to the mainstream (Rodriguez 1997). Selenas story is one of the burden of leading hyphenated lives, and of the need to manipulate a place for ourselves between the dismissive Anglo-American and Mexican mainstreams (Rodriguez, 1997). She was indeed a dreamer who preferred to go on discos rather than ranch es.When she was already popular among the Mexican Americans, she still dreamed of becoming a crossover angiotensin converting enzyme to sing English songs. It is said that in the past, Mexican-American identity and having a Hispanic culture is a great shame for the immigrantss children and grandchildren. Mexicans called their English-speaking, Scooby-Doo-watching American cousins pochos, which meant something like watered-down Mexicans (Rodriguez 1997). Selenas popularity both in the Mexico and America marks the changes in the new generation wherepocho no longer connotes a marginal position in a culture that was never fully Mexcian, but a growing compliment in Mexican-American hybrid status, and the ability to sample and absorb the best from both sides of the border. (Rodriguez 1997). Living in America with traces of Mexican-American blood is never easy because not only they are discriminated by Americans, they are judged by other Mexicans, especially when they act too American H owever, these things never discouraged the late Selena to fulfill the top.Reference Berardinelli, J. (1997). Selena. Reel Reviews. Retrieved February 18, 2008 from http//www. reelviews. net/movies/s/selena. html Quintanilla, Jr. , A. (Producer), & Nava, G. (Director). (1997). Selena. Motion picture. Warner Brothers. Rodriguez, G. (1997). Selenas story pochos have come of age. Pacific News. Retrieved February 18, 2008 from http//www. pacificnews. org/jinn/stories/3. 06/970321-selena. html

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