Old South vs. New South in OConners Everything That Rises Must Conver

disused entropy vs. New South in OConners Everything That Rises Must fulfillFlannery OConnors Everything That Rises Must Converge depicts a stifling beat-son relationship in which the conflict is never resolved, or even acknowledged. This relationship is a metaphor which describes the transition from the Old South, with its inbred values used to justify slavery and segregation, to the New South, striving for nicety based on equality. Mrs, Chestney (old South) and her son Julian (New South) represent, on an individual scale, the interactions of their gibe constituencies, The world is a mess everywhere... I dont know how weve let it suck up in this mess, states Mrs, Chestney on the subject of segregation, Unintentionally, she implicates her kind as the fellowship responsible for the tension between Negroes sic. and Whites, She is saying, in effect, We dominated this race of people. straight off it has become too difficult for us to maintain that control. Naturally, she feels threatened. Josephine Hendin wrote that The desegregation of buses and the prevalent rise of the Negro seem to her so much cuckoos nest, a chaos in which the old and the young, the present and the past, must violently collide. Blacks encroaching upon the strength structure which is integral to her behavior have forced her to either evaluate her behavior, or substantiate it. She is an old woman, whose meaning to life is reliant upon segregation, and she will, in every case, opt for the latter, In her discourse with her son, Julian, she proudly refers to a great-grandfather who was a slave owner, the tragedy of half-whites, and, as proof for not riding incorporated buses alone, a large Black passenger sitting adjacent to her, yarn a newspaper. Her mani... ...s and is now yearning for a darky nurses care. Only then(prenominal) does Julian react to the circumstances, in a panic. He helplessly watches his mother die, and then realizes how dependent on her he truly is, As the Old So uth dies, the New South emerges. The descendant cannot sever the tie to its predecessor, nor trim back its effect on the next generation. As a society, our evolution to a point without racism may be a long process. work CitedFeeley, Kathleen, Flannery OConnor Voice Of The Peacock. New Brunswick, New Jersey Rutgers University Press, 1972. Hendin, Josephine. The World of Flannery OConnor. Bloomington, indium Indiana University Press, 1970. OConnor, Flannery. Everything That Rises Must Converge. New York The Noonday Press, 1956, Stephens, Martha. The Question of Flannery OConnor. Baton Rouge lanthanum State University Press, 1973.